Download The Mother 2003 Subtitle
Toots and May's marriage is one of Toots being dependent on his wife. Shortly after Toots and May arrive in London to visit with their grown children Bobby and Paula and their respective children, Toots falls ill and dies. Toots' death brings to the surface the underlying strain that has always existed between May and both of her two children, and the unhappy lives they have all led. Now specifically with Paula, May is disapproving of her relationship with a construction worker named Darren. Not only does May think his occupation makes him beneath Paula, he's also a married man. Darren is in an unsatisfying marriage but doesn't want to leave it if only because of his son.
Nonton Online Streaming Film The Mother In Law Subtitle Indonesia Claire has always loved her son Jim and her granddaughter Sydney, but struggles to connect with her daughter-in-law, Allison.
Even after May gets to know and like Darren, she still encourages Paula to break up with him. The issue is that May herself has fallen in love with Darren, the two who begin a sexual relationship.
What will ultimately happen between May and Darren also depends on Darren, who is floundering in his own life and doesn't. What a moving film. I have a dear friend who is in her sixties and for the past 15 years has told me that people don't see her anymore, and she longs for companionship. Being in my late 40s I am beginning to see what she has been complaining about. You are no longer youthful, beautiful or touchable. When May says '.this lump of a body.' How our bodies change and how we are told it is no longer beautiful.
I love when she begins to change what she wears.the colorful scarf.no longer the frumpy wife. It is a sad and wonderful picture at the same time. Sad in that May betrays her daughter's trust.beautiful in that she finds herself through the difficulty of the affair, and chooses to move on and finally have her own life. I love the character's daring to even initiate the love affair.
Mostly I love the movie because finally it is a picture that shows the intricate nature of relationships, be they familial or not. We see Paula's vulnerability, yet she will have what she wants at all costs.(when she tells her mum that she will have a baby for Darren whether he wants one or not after her mother asks if Darren even wants a child). The movie hits the mark on the how relationships can change, and yet reveals what has been there all along, dormant. May has stifled her own creativity to raise a family. A family that she didn't really want, but was 'something you just did when she was young'.
I love the scene when Darren calls her an old tart, and she smiles and says 'I was never called that before'. It was truly a gem of a movie. And Daniel Craig. Well, i just love him.
I was pleasantly surprised. Not only is he pleasant on the eyes, he is a real talent. What a neat role. He is much more than any 007 that is for sure and I look forward to seeing him in more roles of this nature. The scene where he is pleasuring May and the look he gives her is sort of a look of wonder that he has such control over this woman, and also one of pleasure of being able to give this to her. He is actually enjoying giving her pleasure. A wonderful scene.
The contrast is the love scene with Bruce. Bruce is totally absorbed with his own pleasure.two completely different men. Alas.I wonder where is my Darren?
Please don't make negative comments like some of the aforementioned people have been doing if you haven't seen the film yet! I have seen it, at a press screening last week. Not only is it the best film of the year so far, it marks a return to form for Martin Scorsese, and ranks with the likes of GOODFELLAS as being one of the best in his canon of films.I'm a fan of the Hong Kong film, INFERNAL AFFAIRS, upon which this is based. While THE DEPARTED keeps the basic structure of the original, it is very much its own movie, so much so that the screenwriter, William Monahan, didn't even watch the original film while adapting its screenplay, thus enabling him to infuse the script with his, and Scorsese's, respective visions.All the actors are first-rate (yes, even Leo, for all you DiCaprio bashers out there), and turn in some of their best performances to date.
THE DEPARTED is sure to garner a host of Oscar nods, if not wins, including (hopefully) Scorsese's long-overdue statuette for Best Director. Plus, with actors like Martin Sheen and Alec Baldwin playing supporting roles, that says a lot about the quality of the film they signed up for!
THE DEPARTED is tough stuff, not for the faint-of-heart. That said, it is a must-see for adult viewers who long for intelligent, gritty stories to grace our movie screens once again. Ever since I have seen Infernal Affairs (IA), I said to myself that Hollywood would not pass up on a story like this. And true enough, I heard Brad Pitt bought the rights to the show and that he and Tom Cruise are slated to act in it. When I heard that the whole ensemble changed, I still was looking forward to the film.
IA, with a much smaller budget, looks more expensive than The Departed (TD).Character development -IA, is all about heart. It is about how the mole in the police, Ming, is torn between his identity as a mole, and his conscience, and the mole in the mafia/gangland, Yan, is torn between doing right for the police and his own dilemma about his identity. Ming is not bad, nor is Yan good. TD, like all other Hollywood cop movies, is about black and white.
Costigan is wholesomely good, and Sullivan is utterly bad. Their characters are so one-dimensional, it's almost like the screenwriter doesn't trust his audience to be intelligent enough to know that good and evil are degrees of grey.Timeframe - The time frame is just ridiculous in TD. Are we expected to believe that in the short span of 4 months, Costigan is able to infiltrate the mafia and become Costello's left hand man, given that everyone (so 'cleverly' explained by Queenan) knows that he was a cop and that Costello doesn't trust people easily? Are we also to believe that Sullivan can rise through the ranks of the police force so fast, considering that (also 'cleverly' explained by Ellerby) they don't trust people with perfect records? In IA, it is a convincing many years. Both characters are allowed to grow into their environment enough to be torn. TD just throws it in our face.Acting - How can people say that the acting is superb?
Matt Damon doesn't emote at all. Leo Dicarprio is so whiny, if he isn't whining to Queenan, he is whining to the shrink, or Costello and Mr. Martin Sheen is like a vase, so weak and wimpy, he doesn't have the air befitting of a Captain. Mark Wahlberg's character, sarcastic as hell, for what? It's a wonder that he is even there, he has no role to play at all. An omission of his character wouldn't have made the movie any less. The shrink sleeps with both Costigan and Sullivan, and we are expected to feel sorry for her?
Download The Mother 2003 Subtitle Movie
And Jack Nicholson, so painful to watch. Even the extras are so miscast-ed. The Mainland Chinese characters are so obviously 3rd generation Cantonese speakers, with the American accents, I am not a native Cantonese speaker and even I know it's all wrong.Screenplay - This has to be one of the worst screenplays ever.a. Costello, if he is a big time gangland boss, and that he is dealing with international crime lords, why is he and his right hand man still going round the hood to collect protection money? The writers cannot decide if he is a big-time crime lord or a smalltime mafia boss.b. The time-line.c.
Costigan sends the tape to Madolyn, gets Sullivan to meet him at the building Queenan died, and expects to do what? It is just a cheap shot at trying to mirror IA's intelligent rooftop scene.d. The fact that the cast says F. every other second makes the movie cheap and crude instead of realistic.e. The subplots are so unnecessary and so poorly intertwined. The double crossing of the mainland Chinese, the FBI informer subplot, the letter that was never heard of again, the love triangle between moles & shrink, the time in cadet school. All these subplots should be omitted, then maybe the director can concentrate on the real story.f.
What's up with the ending? First Costigan is shot (Which is a ripped off from the original), and then everyone else gets shot in the head except Sullivan. Is there a need for all that gore?
Or is it just cheap thrill? And then Dignam kills Sullivan. Does Dignam have a great enough agenda to do what he did?g. Did I mention that a lot of scenes of the movie are ripped off from the original?
Even the dialog of some of the scenes is directly translated from the original. I read that the writer claims that he didn't see the original. Is he trying to claim the great parts of the movies as his own?
Isn't that plagiarism? Which brings me toProduction value - Scorsese bombed, big time. He has ran out of tricks, the movie started out good, but the ending seemed so rushed, like he has ran out of time, or interest. I love GoodFellas, and his style and techniques at that time seem fresh and ingenious.
But the second time he used the pinhole effect in TD, I realize that Scorsese has ran out of ideas. There are even scenes that he took from the original shot by shot, making it seem like he cannot make his own out of the material.Over all I am very MAD. MAD at the people who say this movie is brilliant. It is brilliant only because the original is brilliant and they had taken almost every element of it. I am MAD because of the disregard of respect on the part of Scorsese's team, not giving the credits when credits are due. Borderlands 2 level 50 save. Is he going to get an academy award for something that is not his?
Something that he so blatantly took from someone else and did not even bother to credit? That would say a lot about Hollywood and their disregard for anyone else. I am MAD at the way the movie ended and I am just disappointed that the audiences are treated like idiots and they don't know it. Now I know that 'The Departed' is based off of the Hong Kong movie 'WuJianDao', but Scorsese really grabs hold of a great story and brings it to the American Screen.
My father grew up in Boston and when we walked out of the theater he couldn't stop talking about how authentic the environment and attitude was. Then there's the acting in which the lead actors (Nicholson, DiCaprio, Damon) not only give stunningly entertaining performances, but you become engulfed in each one's perspective and dilemmas.
The smaller roles that of (Baldwin, Walberg, Sheen) are supporting roles that remind me of Jesus Quintana from 'The Big Lebowski', by this I mean that their screen time is limited but they make lasting impressions that you cherish each and every scene they are in, Alec Baldwin especially. The story itself starts off with the basic intro of the players and the setting, but you'll find yourself slowing following each and every plot twist and rooting back and forth for the good guys and for the bad guys. If you're a Scorsese fan, which I am, I think you will appreciate this film. You can clearly see the Scorsese touch ranging from the cinematography and of course the music, it's great to hear 'Gimme Shelter' again, but 'Comfortably Numb' played in so well. It's another gangster flick from Scorsese, yet this one stands alone because feels so fresh and most would agree Scorsese does gangster films the best; so why not let him. Oscar worthy, the acting I certainly hope; this is DiCaprio's best role since 'The Aviator' which was his best role since 'Gangs of New York', am I seeing a pattern here. But my lasting impression wasn't concerned with the politics of the golden statue; my lasting impression was that I had sat through 2 and half hours of brilliant and especially entertaining storytelling.
Thank you Mr. Just came back from watching the movie so it's still fresh in my mind. Overall the movie was good but it could have been shorter.
Good movie but nothing extraordinary, not a master-piece, not a classic. In this period filled with really bad movies it's a movie you have to watch.Some things are better than in the original (Infernal Affairs) like character development. It is especially true for DiCaprio's character (not really for other character). However the scene, when Wahlberg cites all of DiCaprio's family connection to the mob, takes too much time. They take a long time establishing how DiCaprio sells drugs with his cousin and finally get into Nicholson's gang. However after that it doesn't take long for Nicholson to give his total trust (in one year and a half to two years), which bothered me. This takes the first hour of the movie and i think it could have been cut by at least 20min.Some scenes have a lot more impact in Infernal Affairs than in The Departed.
I'm gonna cite 3 scenes which are some of the most important in the story in my opinion:-The death of Wong/Queenan: in IA, Wong falls suddenly, lands on a taxi cab taking Yan by surprise. When Yan realizes Wong is dead you can feel the suffering Yan goes through by the loss of the only person who knows he's a cop but also/mainly by the loss of his friend.In The Departed we see Sheen falls in slow-mo until he hits the ground in a splash of blood. There's absolutely no connection, no friendship between DiCaprio and Sheen. We see DiCaprio almost on the verge of crying. He's not his friend and there's still Wahlberg to prove he's a cop.-The death of Sam/Costello: In IA, Ming seems to show a desire to redeem himself and become a good man for his girlfriend. When he confronts Sam in the parking lot during the raid, he kills Sam to remove any evidence he's a mole and restart on a blank slate.In The Departed, although Damon slightly mentions starting anew in another city, when he kills Costello he does it just to cover his a-s-s. Never after he seems like he might become good.-The elevator and final scene: In IA, the meeting on the rooftop is between two men on each side of the law but sharing so much in common.
You can even sense that Ming has some respect for Yan. There's no violence until what happens in the elevator. When Yan dies you can see Ming didn't want this to end like that. Yan's death is really emotional, all sounds are drawn off and only an opera piece is playing.
When the second mole gets killed by Ming you only hear gunshots.In The Departed The final scenes are a mess. Damon and DiCaprio just hate each other's gut, the token black guy shows up, the 2nd mole shows up and everybody executes everybody. They just stand there to get shot. The scene seems really rushed.And when Damon open his door at the end of the movie to see Wahlberg waiting for him, it was the cherry on top of the cake. Everybody was cracking up. How many shots to the head do we need to see? Was it really necessary to kill Damon and provide the audience with a happy ending?Although The Departed is a good movie I felt a lot more satisfied with Infernal Affairs.
They have very different feel to them. One is over-the-top street violence while the other one is more subdued, concise and nuanced.For those who says that The Departed is way more psychological than IA I would have to disagree. Infernal Affairs shows how two men struggle to know what defines if they're good or bad. Is it their actions or their allegiance to one side or the other of the law? In the end they're really similar.
Yan tells the Psy he's a cop and lift that weight off his shoulder even if it's for just a second. Ming wants to redeem himself and prove his girlfriend but also himself that he's not that bad. Others before me have also commented on the buddhist notion of eternal hell so I won't talk about it:)The Departed lacked in that department. There's no connection between the two main characters except for the fact they are moles.
They're almost portrayed as black and white. Especially Damon who doesn't seem to have any nuance. He's just bad till the end.The Departed 8/10 Infernal Affairs 9/10. A great, great movie. I saw it last night at a special screening and must say it was a tour de force. Even though Boston is not really a gritty town Scorsese was able to capture a darker side of the city. Coming from that area, I am always concerned when actors put on the local accent as it tends to be distracting rather than supportive.
However, with local pros like Damon and Wahlberg they were able to really grab hold of it and not go overboard. Most of the time. The true stand out performance has to go to DiCaprio. He has really come into his since hooking up with Scorsese, having scored a number of original performances all of which have expanded his range.
He really snagged onto a deep and tragic character and created something that will hopefully be recognized come awards season. One of my favorite aspects was the friendly hostility the characters had for each other. It is a specific trademark that I have never noticed in any other city. In Boston, when you are really close with someone (or not really) it is, more or less, a requirement to bust their balls and shoot cruel insults back and forth in rhythmic banter.
That detail was extensively realized in THE DEPARTED and I doubt anybody who was raised outside of the metro Boston area, or at least visited at some point, would find it nearly as hilarious as those who were. As for Scorsese's direction, I think he scored big with this one. While many have criticized that his movies have become more commercial I believe that he has just evolved. There were some classic Scorsese moments here, my favorite being a scene where DiCaprio is alone and packing his things in his apartment. Beautifully cut and stylistically directed. Is it his best effort? But it still is truly mesmerizing.
He has created something truly special from a city that is highly underrated.